Tag: gary smulyan

Gary Smulyan releases new album

Gary Smulyan has continued his recent streak of releasing albums with interesting and niche concepts. His most recent release “Tadd’s All Folks” contains all Tadd Dameron compositions. Interpreted by vocalist Anais Reno, and supported by Gary’s excellent blowing and a great band (Pete Malinverni – piano, David Wong – bass, and Matt Wilson – drums).

While this album is very straight ahead, Gary has still managed to avoid over saturating the recording world with more common standards. A lot of the songs here are very unfamiliar, continuing his trend of bringing to light lesser known compositions. His last few albums featured a lot of obscure contra-facts over more common chord changes.

The playing and recording quality are very well done here, if you’re a fan of Gary’s playing (who isn’t?) you should have a listen.

BIG news for the baritone – Low Blow Music launches!

This is the biggest news I’ve been able to write about I think since launching this site 15 years ago.

Some time last year Gary Smulyan called me to propose a crazy idea to promote the baritone saxophone. Though we have planned and scrapped those plans a few times we are finally at the point where we can announce a new organization devoted to the baritone saxophone. Low Blow Music was formed by Gary Smulyan in conjunction with the council of baritonists – Frank Basile, Claire Daly, Andrew Hadro (myself), Brian Landrus and Jason Marshall – with the purpose of promoting the baritone saxophone.

We’re hoping to make this a world-wide phenomenon, and to kick things off we are celebrating Pepper Adams’ birthday on October 8th, 2022 with a BARITONE MARATHON. 12 hours of baritone and a jam session to boot. In addition to performances from groups led by Gary as well as each of the council of baritonists, we have additional performances from Lauren Sevian, Dave Schumacher, Roger Rosenberg and Carl Maraghi! The day will start at 12pm with Gary Smulyan and end at 12:30pm with an open Jam Session! Click here to see the full line up and schedule.

But perhaps the even more exciting news is that we have launched LowBlowMusic.com – this is a site that offers exclusive baritone content for a very affordable yearly membership of $25. Membership will get you all of the following:

-Access to the live stream of the October 8th event!
-Council of baritonists videos – conversation and mini lessons from Gary Smulyan, Claire Daly, Andrew Hadro, Jason Marshall, and Brian Landrus!
-Rare photos from Gary Smulyan’s career and travels
-Free download of the album “Marcescence” from Andrew Hadro
-Custom altissimo fingering chart from Andrew Hadro
-Rare photos from Claire Daly’s career and travels!
-Free download of the album “Mirage” from Brian Landrus
-Access to unreleased live Frank Basile performance in France
And more to come soon.

You can also support this organization by joining as a Gold Member or becoming a Sponsor of one of the live sets!

I hope to see you at the Ornithology Jazz Club in person, and look forward to sharing all of the forthcoming baritone goodness with you.

Andrew Hadro

New Gary Smulyan transcription – From his first album

Thank you to Tom Sabin for sending in a Gary Smulyan transcription on the standard “You Go To My Head”. This is from The Lure of Beauty – which is actually Gary’s first album as a leader, released 30 years ago in 1991. Its a lovely album, and a very nice solo.

Hear it below, and head to the transcriptions page to download a copy for your self!

3 new transcriptions from Anthony Pellegrini!

Transcription contributor, Anthony Pellegrini

Veteran transcription contributor, Anthony Pellegrini, has just delivered 3 more transcriptions. And they are fine choices. Gary Smulyan, Ronnie Cuber, and Harry Carney are all included here.

Ronnie’s solo is on “Hardbop Grandpop” from a amazing Horace Silver album of the same name. Gary Smulyan’s transcription is from a less known album by Michael Benedict called Bopitude and is over a Kenny Dorham song called “An Oscar for Oscar”. And finally the father of the jazz baritone saxophone is represented here with his solo on “Festival Junction” from the famous Duke Ellington album recorded Live at Newport.

Head on over to the Transcriptions page to download copies of all 3 for yourself!

A new album with Gary Smulyan and Ronnie Cuber!

It seems pretty undisputed that Gary Smulyan and Ronnie Cuber are two of the greatest living titans of the baritone saxophone. They each have a long discography and incredible career. And we are fortunate to have a new album out this week that features both of them. This isn’t the first time they’ve played together or even recorded together. The album ‘Three Baritone Band Plays Mulligan’ is listed on my 5 essential listening albums page and feature both Gary and Ronnie – as well as Nick Brignola. Interestingly that band toured a bit and the great Howard Johnson could also sometimes be seen with that band.

‘Tough Baritones’ was released this week on the Danish SteepleChase label, on which you will also find a number of other records from both Gary and Ronnie. Though I find it incredibly difficult to find any actual information about this label, or about the albums. Almost like the label goes out of its way to make sure very little information can be found even after the albums are released for sale. But regardless, the album is available on streaming platforms, or if you’re like me and enjoy a physical copy that can be found on amazon here.

This album to me is very reminiscent of a period of jazz that had a huge influence on both of the leaders here. The whole album, but especially the first couple tracks bring back the vibe of Leo Parker recordings, and some of the great two saxophone albums with the likes of Jug (Gene Ammons) and Stitt (Sonny Stitt). This is largely reflected in the tune choice and feel of those songs. A lot of singing blueses and almost boogaloo type feels, as well as some classic Cuber favorite standards – ‘Nica’s Dream’ and ‘Lover’. No sign of a ballad in sight, but that’s just as well since we’re all here for the fire anyways.

If I am going to be incredibly objective, I’d say that Ronnie’s playing doesn’t quite have the fire that he may have had in his prime, but he is by no means at all unenjoyable here. He plays with fire and still shows why he has been one of the leading influences on the baritone for decades. Also if we are going to compare him to most 78 year old saxophonists, he is probably nearly the best in the world. Gary’s playing is top notch and while connoisseurs of the baritone will easily tell their styles apart, they both approach the music with considerable force.

Recording quality wise, having been fortunate to sit right in front of both of their bells in person, it seems to me that the recording captured Gary’s sound a bit more accurately. Ronnie’s mix on the record feels a little distantly recorded. Otherwise the sound of the album is excellent, the two baritonists are panned separately left (Cuber) and right (Smulyan) to help differentiate further. They got a great rhythm section to back the front men. Gary Versace on piano, Jay Anderson on bass, and Jason Tiemann on drums.

I think anyone with an interest in jazz or baritone saxophone, (let alone those at this site that are likely interested in both) should probably head directly to their nearest music provider and check out this album from the royalty of jazz bari sax.

Two ‘In a Mellow Tone’ Solos!

Thanks to Joseph Trahan we have another Gary Smulyan solo in the transcription repository. This is from another YouTube video, this time Gary is blowing over Ellington’s “In A Mellow Tone“.

We also now have our very first Joe Temperley solo in the repository. I can’t believe we didn’t have one before now, but thankfully that gap has at least somewhat been filled. Many thanks to Tom Sabin, for sending in a transcription to start us off for Joe. Quite coincidentally this solo is also on Ellington’s “In A Mellow Tone“!

This is a pretty cool opportunity to see how two very different players approach the same standard. I hope everyone is staying well and busy during the on-going quarantine. Hopefully the plethora of new transcriptions will keep you all busy.

New and upcoming releases – May 2020 edition

There are a number of albums on the horizon or available now that everyone might be interested in. So in order of release please check out the following:

Brian Landrus – For Us

Brian’s new release features one hell of a band (Fred Hersch – piano, Drew Gress – bass, Billy Hart – drums, Michael Rodriguez – trumpet) as well as Brian playing his usual baritone and a host of other instruments. The album also features some string writing. What I’ve heard so far sounds excellent! So fans of modern writing for the baritone should definitely check this one out. Its available now, grab a copy here from Brian’s website.


Gary Smulyan – Our Contrafacts

Gary’s next album is another trio recording. I am very much looking forward to this one, which is a follow up to his last trio recording “Alternative Contrafacts that I enjoyed very much. Gary excels at trio playing – he is a master of harmony and the chordless setting really allows him to dictate all of the harmony very freely.

The album has listed release date of June 2020, but it looks like it might be available already? Head over to Gary’s site to check it out.


Ronnie Cuber – Four, Straight Street

Finding information on Ronnie can be hard these days. He doesn’t have a working website, and the record company (SteepleChase) that he has put some recordings out on doesn’t either. He’s also approaching 80 (78 as of now) and hasn’t been seen out performing as much, certainly not in the US. But he does seem to have produced a few recordings recently. The two most recent are “Four” and “Straight Street“, I believe from 2019. Fans of Ronnie will enjoy these as its still a powerful baritonist with a big sound and lots of edge.

However, I have to say this is not peak Ronnie Cuber. I don’t say this to be harsh, the man has played more baritone than pretty much anyone else alive. But I do want to warn fans to perhaps temper their expectations, and know that there are other recordings of Ronnie that better capture his incredible playing. Having grown up listening to him constantly, and even taken some (very strange) lessons with him, I’m glad we have more recordings of him even if they aren’t going to go down in history as his best.

Gary Smulyan & Frank Basile Quintet shows available for stream!

A few weeks ago at Smalls club in the West Village of New York City, I had the extreme pleasure or watching two sets that featured some of the best baritone playing around. Gary Smulyan & Frank Basile are two incredible baritone saxophonists that are directly connected to the Pepper Adams lineage.

Everyone can now watch both evenings (4 sets total) on the online streaming archive from Smalls – called SmallLive. You’ll need to sign up for a membership, but $10 a month is a small price for the incredible amount of live jazz you’ll have access to. This concert alone had a $20 cover per set to see. Also, in these strange times Musicians and Clubs need all the support they can get – Smalls shares revenue from online streaming with the musicians.

Head over to the Smalls Live archive and watch these incredible sets:
https://www.smallslive.com/events/16554-frank-basile-gary-smulyan-quintet-boss-baritones/