JazzBariSax.com Interview Series: Adam Schroeder

The next installment in our interview series feature Adam Schroeder. Adam holds down many of the baritone chairs on the West coast and has put out several albums as a leader. He is a tremendous guy and an accomplished saxophonist, we’re glad to feature him here.

  • Adam SchroederWhy the baritone? I found my voice on the baritone saxophone during my senior year of high school.  I had been playing the lead alto chair in our jazz band for three years however was trumped in the audition by a great friend.  We had both been studying with David Glasser from NYC at the time and had both learned that the two most important chairs in the saxophone section were the lead alto and the baritone…support!  Since my friend and I each knew one another’s playing, it was an easy switch for me to hopefully offer a stronger support in the section instead of playing the second alto chair.  Needless to say, I loved it and never looked back.
  • Favorite recordings of and/or with baritone saxophone? 10 to 4 at the 5 spot, Encounter & Julian by Pepper Adams; The Concert Jazz Band stuff by Gerry Mulligan; Stop and Listen by Cecil Payne & anything by Leo Parker
  • What’s your equipment/set up? Right now I’m floating between two set ups: 1. Berg Larson Hard Rubber 110/2 SMS chamber with a Rovner Lig and Rico Jazz Select 3M reeds 2. Vandoren B9 with their M/O Brass Lig and Vandoren ZZ #2 reeds.  I find each suitable for many different occasions but if there is an extra punch needed, then I throw on my Berg
  • Low A, Low Bb, or “My favorite horn is the one in front of me” ? I currently play a low “A” horn; Yamaha 62 with some custom work done after an extensive repair from an airline incident.  I’ve owned a 1920 Silver Conn low Bb however did not play it that often so I sold it to someone who is playing it full-time.  I’d love to find another low Bb horn as I believe they speak better all around the horn…and as a soloist, I find that the horns themselves resonate with more colors than a low A horn
  • Anything specific to the baritone you recommend practicing? Just think of it as another saxophone, not a baritone…that’s a common stereotype, that this horn we love is SO different than the other saxophones.  Don’t be scared, put some air into it and your back into it and have some fun!  LONGTONES!!!!!!!!!!!!
  • Favorite venue/place to play? Anyplace where the audience is involved/engaged.  They want to feel the energy as well…not just the musicians playing for themselves (or each other).  I love live clubs where there is conversation going on music related…not just obscene talking or chatter.  In Los Angeles, I really enjoy the Blue Whale, Jazz at the CAP, Alvas, The Lighthouse, Vitello’s and then anything that In-House Music represents.
  • When travelling, does the horn go under or in the plane? IN THE PLANE – but be nice!  Everyone is just trying to do their jobs and being an ass gets you nowhere!  Be accommodating as well.  Most of us traveling with the new “Manning” custom cases also take pics on our cell phones of the horn in the overhead/closet on the different aircraft models that we are flying on.  But overall, JUST BE NICE and they are usually pretty understanding.  If not, stand your ground in a polite and reassuring way and continue to ask for their supervisor.
  • Favorite quotes about music? Keep On, Keepin’ On (Clark Terry); Take care of the MUSIC, and the MUSIC will take care of you (John Clayton); the 5 “T’s” of playing (Oscar Peterson) and Dizzy’s list (can’t remember what its called at the moment)
  • What do you do when not playing music? Enjoy the outdoors…mother natures natural symphony.  Compose and sing; work in another field which I feel allows me to focus in on music at a much more heightened state when I get the chance.  Read and spend time with my family.  All of which I’ve mentioned above leads right back to my passion, our passion, which is music.
  • Bonus Question: “A penguin walks through that door right now wearing a sombrero.  What does he say and why is he here?”  Humor Me, you look just as lost as I do…but lets enjoy today for what today brings and hopefully make a few smiles and memories along the way

Be sure to check out Adam’s website for more info!

New album from Adrian Barnett

Its About TimeBaritone saxophonist Adrian Barnett has released a new album called “It’s About Time”. Its got a lot great arrangements of original composition, mostly swinging but in a variety of different feels and approaches. And of course, lots of great solo work on the baritone.

With him are also a few other horn players, alto/tenor, trumpet and trombone and  a nice rhythm section that does well in both a straight ahead set up and different configurations with organ and electric bass as well.

We highly suggest you head on over to Adrian’s website and have a listen. Always nice to hear some fresh writing and arranging that features the baritone.

JazzBariSax.com curator, Andrew Hadro, Releases Debut Album

FUTL_Cover_LowResAs hopefully many of you know, this site contains contributions from a number of baritone saxophonists. However, much of the content has been compiled, commissioned, written, or collected by the curator, Andrew Hadro.

On April 1st, 2014 Hadro releases his debut album, For Us, The Living.

About the album, from Hadro:

For Us, The Living is an effort to honor tradition by focusing on looking toward the future. All of the compositions recorded on this album were written by living American composers.

The title comes from President Abraham Lincoln’s Gettysburg Address of 1863. Lincoln’s speech urged Americans to appreciate, honor and respect the unsung and fallen heroes, and to further their unfinished work to usher in a new era. 2013 marked the 150th anniversary of the Address and so it seemed a fitting title for an album featuring living American composers, and carrying on the tradition of those who came before.

This is my dedication to the musical giants upon whose shoulders I stand. Rather than re-interpret and re-perform their works, I want to extend the timeline of jazz with new compositions and performances by the best living composers and musicians today.”

If you are interested in hearing the album, click here!

Have you checked out the Mary Joyce project?

Claire Daly’s Mary Joyce project is full of great music, and an incredible back story to boot.
“Saxophonist Claire Daly has always been a true original and, as it turns out, part of that is in her DNA. Mary Joyce Project: Nothing To Lose is a musical/genealogical journey through the life of Daly’s father’s first cousin, Mary Joyce, who lived her life the way she wanted to, rather than succumbing to societal expectations for women during the ’30s and beyond. As the press materials note, “She satisfied a restless and courageous spirit with a wide range of adventurous exploits—Hollywood actress, nurse, stewardess, bush pilot, and bar owner. She was the first non-native Alaskan to dogsled the 1000 mile run between Juneau and Fairbanks (in 1936), the first ham radio operator in the Alaskan Territories, and the only woman to run supplies for the Allies by dogsled in World War II.” ”
Read the rest of the description on AllAboutJazz.com

And check out a live performance of the music:

Grab the album from Claire’s website too!