New Ronnie Cuber Transcription
Luke Miller has been kind enough to send us another transcription. This time from Ronnie Cuber on the tune ‘Groovin’ High’ from the 2012 album, Boplicity. Head on over to the transcriptions page to check it out!
Luke Miller has been kind enough to send us another transcription. This time from Ronnie Cuber on the tune ‘Groovin’ High’ from the 2012 album, Boplicity. Head on over to the transcriptions page to check it out!
If you follow the jazz world you may have noticed some controversy stirring recently about an upcoming release. Mostly Other People Do The Killing or MOPDtK are a group of modern jazz veterans known for producing music that is just beyond comfortable to most jazz fans but makes important points, has great humor, and is flawlessly executed.
They have re-recorded Kind of Blue, the iconic Miles Davis album. The album Blue will be released, recreating note for note, quite literally, every bass line, every solo, every chord. This has riled up some folks for sure.
Baritone saxophonist Charles Evans has written an excellent post on the subject. (no relation to Peter Evans who plays in MOPDtK, although they are frequent collaborators as well). Charles has known these musicians for quite some time and articulates his points very well.
Head on over to his site and give it a read.
Let us know what you think in the comments if you are so inclined.
Vandoren’s Emerging Artist competition has just announced that their online application portal is now open:
The deadline is December 15th, 2014, you can see all of the details, including prizes and repertoire requirements at VEACompetition.com
We’ve just added a new Lars Gullin transcription to the transcription collection. Thanks goes out to Francesco Badaloni for sending this in to us.
Head over to the transcription page and check it out!
On August 21st 2014 8 baritone saxophonists assembled to take part in an performance art project in Peekskill, NY.
Truly a unique sound! More footage to come later. Part of Fit the Battle – A commemoration of the life and legacy of Paul Robeson. More info at www.fitthebattle.com
Calling all Baritone Saxophones to Fit the Battle from justin randolph thompson on Vimeo.
“Performance_August 21st at the Hudson Vally Center for Contemporary Art, Peekskill, NY. For more information or to participate write to fitthebattlepeekskill@gmail.com with ‘Fit the Battle’ in the subject line.
Fit the Battle is a performance and commemoration created for Peekskill, NY that honors singer, Civil Rights activist, actor and athlete Paul Robeson and his celebrated baritone voice. The piece uses monumental sculpture and the largest ever gathering of Baritone Saxophones to immortalize the fervor and spirit of this critical figure of American history and his global reaching vision of unity. The industrial past of Peekskill and the cultural diversity of its population echo the cry for solidarity of working people that Robeson voiced with eloquence and determination. This project seeks the power of community to become a temporary monument. The project is directed by Justin Randolph Thompson in collaboration with Bradly Dever Treadaway and Jason Thompson.The work is supported and coordinated by Salem Art Works. Spread the word.”
We are extremely pleased to let everyone know that one of our favorite baritone saxophonists, Adam Schroeder will be releasing his second album as a leader on Capri Records June 17th! Take this opportunity to learn a little bit more about Adam with his recent Interview for JazzBariSax.com.
Click here to check out an early review, and be sure to grab a copy of his album!
Why the baritone? I found my voice on the baritone saxophone during my senior year of high school. I had been playing the lead alto chair in our jazz band for three years however was trumped in the audition by a great friend. We had both been studying with David Glasser from NYC at the time and had both learned that the two most important chairs in the saxophone section were the lead alto and the baritone…support! Since my friend and I each knew one another’s playing, it was an easy switch for me to hopefully offer a stronger support in the section instead of playing the second alto chair. Needless to say, I loved it and never looked back.