Videos

New interview from the Dr. Jazz Talks interview series, this time Gary Smulyan – superb saxophonist and composer, with a great last album Tough Baritones with Ronnie Cuber…<br /> <br /> We talk about Gary's beginnings and influences, being a bandleader, playing with Dave Holland, Joe Henderson, Mingus Big Band and others, the NYC jazz scene, his improvisational and compositional approaches, etc… <br /> <br /> A selection of the incredible albums that Gary did as a leader:<br /> 2021 – Tough Baritones (with Ronnie Cuber, Gary Versace, Jay Anderson, Jason Tiemann)<br /> 2018 – Alternative Contrafacts (with David Wong, Rodney Green)<br /> 2012 – Smul's Paradise (with Peter Bernstein, Mike LeDonne, Kenny Washington)<br /> 2007 – More Treasures (with Mike LeDonne, Dennis Irwin, Steve Johns)<br /> 2003 – The Real Deal (with Joe Magnarelli, Mike LeDonne, Dennis Irwin, Kenny Washington)<br /> 2000 – Blue Suite (with Greg Gisbert, Earl Gardner, Scott Wendholt, John Mosca, Jason Jackson, Douglas Purviance, John Clark, Fred Griffith, Bob Stewart, Bill Charlap, Christian McBride, Kenny Washington)<br /> 1994 – Saxophone Mosaic (with Billy Drewes, Ralph Lalama, Dick Oatts, Rich Perry, Scott Robinson, Mike LeDonne, Dennis Irwin, Kenny Washington)<br /> 1991 – The Lure of Beauty (with Jimmy Knepper, Mulgrew Miller, Ray Drummond, Kenny Washington)<br /> <br /> Facebook: https://www.facebook.com/samosalamonmusic/<br /> Instagram: https://www.instagram.com/samosalamon/ <br /> Bandcamp: https://samosalamon.bandcamp.com/ <br /> Website: http://www.samosalamon.com/

To purchase or stream Regarding the Moon on any platform use this link:<br /> https://andrewhadro.com/linktree <br /> <br /> 'Regarding the Moon' is a new composition by Greek bassist Petros Klampanis, commissioned and performed by Andrew Hadro, baritone saxophonist in New York City. Hadro began working on the concept in the early days of the pandemic as a way to give work to composers during the global performance outage. It is written for double string quartet (four violin, two viola, two cello), bass, piano, drums and features the baritone saxophone. It utilizes the extreme upper register of the baritone saxophone, a range and timbre rarely used by composers.<br /> <br /> The title is both a reference to the extreme upper reaches of saxophone range and a nod to composer Claude Debussy’s 'Clair de Lune'. The piece is so technically difficult that Hadro spent months re-learning the altissimo range of the baritone saxophone, while the recording took nearly 18 months to complete on two continents with sessions months apart. <br /> <br /> According to Petros, 'Andrew asked me to write a tune that features the high register of the baritone, a sound which I find especially beautiful and surely not what someone expects to hear from a bari. I tried to integrate the roles of the different ensembles, within the whole group (strings on the one hand and a jazz quartet on the other) and create a musical story that allows the leading instrument to shine but not overshadow the colours of the group.'<br /> <br /> This piece is the first in a series of compositions commissioned to feature the baritone saxophone with strings as part of Andrew Hadro's ongoing project, 'For Us, The Living'. Subsequent works will debut in 2022.<br /> <br /> DOWNBEAT MAGAZINE EDITOR’S PICK - JANUARY 2022<br /> <br /> ’The piece serves as a loving ballad, and a bit of a nod to Claude Debussy’s “Clair de Lune,” delivered with stunning precision and grace. …So, is it jazz? New music? Who cares. It’s a work of extraordinary beauty.”<br /> <br /> —Frank Alkyer, DownBeat Magazine<br /> <br /> Credits<br /> Video Production by Adrien Tillmann<br /> <br /> Andrew Hadro - Baritone Saxophone<br /> Petros Klampanis - Composer, Producer, Bass<br /> Martha Kato - Piano<br /> Rogerio Boccato - Drums<br /> Michael Perez-Cisneros - Sound Engineer at Big Orange Sheep, Brooklyn, NY<br /> <br /> Dionisis Vervitsiotis, Migen Selmani, Haralambos Karasavidis, Pericles Timplalexis - Violin<br /> Enkela Kokolani, Krystalia Gaitanou - Viola<br /> Marina Kolovou, Fabiola Ojeda - Cello<br /> Concertmeister: Stathis Soulis<br /> Sound Engineer: George Kariotis at Sierra Studio, Athens Greece<br /> Mix/mastering: George Kariotis, Petros Klampanis

Curious as to whether you should buy a baritone saxophone? Jim runs through a brief history and explains how versatile this beast of a saxophone can be!<br /> <br /> 🎷Browse our range of baritone saxophones - https://sax.co.uk/collections/baritone-saxophones <br /> <br /> ⏰ Timestamps <br /> » 0:00 Jim plays the baritone<br /> » 0:41 Introduction <br /> » 2:15 History of the baritone <br /> » 3:56 Gerry Mulligan <br /> » 4:55 Harry Carney <br /> » 6:02 Gary Smulyan<br /> » 7:14 Stephen “Doc” Kupka <br /> » 8:42 Leo Pellegrino<br /> » 09:31 How you can use it<br /> » 12:56 Final Thoughts <br /> <br /> 🎷Welcome to Sax.co. A family-run business with over 25 years of experience. Our staff are players, teachers, technicians, and repairers so no one is better equipped to help you enjoy a great sax life.<br /> <br /> 🛒Browse our range of products:<br /> <br /> Saxophones - https://sax.co.uk/collections/saxophones<br /> Mouthpieces - https://sax.co.uk/collections/mouthpieces-by-size<br /> Ligatures - https://sax.co.uk/collections/saxophone-ligatures<br /> Reeds - https://sax.co.uk/collections/saxophone-reeds<br /> Wind Synths - https://sax.co.uk/collections/wind-synthesizers<br /> Gifts - https://sax.co.uk/collections/saxophone-gifts<br /> <br /> 🚗✈️ Visit our London store: https://sax.co.uk/pages/sax-co-uk-london

In honor of the great baritone saxophonist Pepper Adams, Gary Carner organized a second roundtable discussion with baritone saxophonists and other musicians who were influenced by or who played with Pepper over the years.<br /> <br /> Carner is Pepper's biographer and recently published "REFLECTORY - the Life and Music of Pepper Adams." This book is available at https://www.pepperadams.com/Reflectory/index.html<br /> <br /> The musicians featured in the roundtable discussion were: David Amram, Kenny Berger, Bob Blumenthal, Roger Rosenberg, Dale Fielder, Danny Harrington, Steve Wood, James Hughes, Ken Kellett, Jim Hartog, Rik van den Bergh, Claire Daly, Kevin Goss, Brian Landrus, Cameron Wallis, and Aaron Lington.<br /> <br /> Enjoy!

Provided to YouTube by CDBaby<br /> <br /> Regarding the Moon · Petros Klampanis · Andrew Hadro · Petros Klampanis<br /> <br /> Regarding the Moon<br /> <br /> ℗ 2021 Petros Klampanis<br /> <br /> Released on: 2021-12-24<br /> <br /> Auto-generated by YouTube.

Arranged by Kira Linn<br /> Recorded and Mixed by Lukas Lohner @Loft Köln<br /> Video by Karl F. Degenhardt<br /> Thanks to Loft Köln and Benni Müller

Pepper Adams Birthday Tribute Featuring<br /> Gary Smulyan, baritone sax; Frank Basile, baritone sax/arranger; <br /> Jason Marshall, baritone sax; Pete Malinverni, piano; Ugonna Okegwo, bass and Dennis Mackrel, drums.<br /> <br /> Documented on Sunday, October 10, 2021 at NRS Studios in Catskill, NY<br /> Thomas Bellino, Producer<br /> Scott Petito, engineer<br /> <br /> www.PlanetArts.org

In honor of the great baritone saxophonist Pepper Adams, Gary Carner organized a roundtable discussion with baritone saxophonists and other musicians who were influenced by or who played with Pepper over the years.<br /> <br /> Carner is Pepper's biographer and recently published "REFLECTORY - the Life and Music of Pepper Adams." This book is available at https://www.pepperadams.com/Reflectory/index.html<br /> <br /> The musicians featured in the roundtable discussion were: Kenny Berger, Larry Dickson, Gary Smulyan, Glenn Wilson, Frank Griffith, Peter Leitch, John Vana, Andre White, Frank Basile, Shirantha Beddage, Aaron Lington, Jason Marshall, Adam Schroeder, Anders Svanoe.<br /> <br /> Enjoy!

I recently had a great long conversation with Gary Carner about his newly completed work, "Reflectory The Life and Music of Pepper Adams".<br /> <br /> In addition to running the incredible website, pepperadams.com Mr. Carner has spent years preparing for this book and has provided the world with more information about Pepper Adams than anyone else on the planet.<br /> <br /> It was a pleasure to discuss the new book with him and hear all about the incredible baritone saxophonist we all know and love, Pepper Adams!<br /> <br /> The eBook which includes a huge number of recordings is available now:<br /> https://www.pepperadams.com/Reflectory/index.html

Since moving to New York in 2001, Frank Basile has been one of today’s most in-demand baritone saxophonists, performing or recording with the Vanguard Jazz Orchestra, Dizzy Gillespie All-Star Band, and the Jimmy Heath Big Band, among many others. At 3 p.m. EDT on Sunday, October 17, he will focus on the six baritone saxophonists who have had the greatest influence on his playing. The presentation will be live streamed as part of the Jazz Education series jointly sponsored by the Metuchen Arts Council-Jazz and the New Jersey Jazz Society.<br /> <br /> The six saxophonists are: Harry Carney, an integral part of the unique sound of Duke Ellington’s band; Leo Parker, the first baritone saxophonist to incorporate the new sounds of bebop into his playing; Cecil Payne, another of the first exponents of bebop on the baritone saxophone; Pepper Adams, whose playing was characterized by an adventurous sense of harmony, an assertive tone, and a witty sense of humor; Ronnie Cuber who synthesized the influence of Adams along with that of great tenor players such as Hank Mobley and John Coltrane into a very personal and engaging style; and Gary Smulyan, who switched from alto saxophone to baritone when he joined Woody Herman’s band and who was the winner of JazzTimes’ 2020 Readers’ Poll as the Number 1 current baritone player. Gerry Mulligan, noticeably absent from this presentation, was the subject of July’s Jazz Education presentation, still available on the NJJS YouTube channel. <br /> <br /> The presentation will be available on the njjs.org website as well as on the NJJS Facebook page and YouTube channel. Attendance is free, but donations are suggested. If you can’t watch it live, it will be archived on njjs.org and the NJJS YouTube channel. <br /> ##<br /> <br /> PHOTO BY ASLAM HUSAIN

The beautiful ballad composed by Billy Strayhorn, originally performed by the Duke Ellington Orchestra. Performed here at the 2021 Litchfield Jazz Festival.<br /> <br /> Andrew Hadro - Baritone Sax<br /> Albert Rivera - Alto Sax<br /> Zwelakhe Duma Bell le Pere - Bass<br /> Carmen Staaf - Piano<br /> Richie Barshay - Drums<br /> <br /> #jazz #ballad #saxophone

My special guest today, 7/5/21(my 299th day’s guest!) is baritone sax man Gary Smulyan!<br /> ~~~~~~~~~~~~~~~~~~<br /> Mulit-award winning Baritone saxophonist Gary Smulyan was born April 4, 1956, in Bethpage, New York. Today he is critically acclaimed across-the-board and recognized as the major voice on the baritone saxophone. His playing is marked by an aggressive rhythmic sense, an intelligent and creative harmonic approach — and perhaps most importantly – a strong and incisive wit.<br /> He attended SUNY-Potsdam and Hofstra University before he joined Woody Herman’s Young Thundering Herd in 1978. It was a remarkable collection of young musicians who ultimately would find themselves in the forefront of present-day jazz. Joining Smulyan in the band were saxophonist Joe Lovano, bassist Marc Johnson and drummer John Riley, who would eventually become a fixture in the Vanguard Jazz Orchestra.<br /> <br /> In 1980, unlike many of his colleagues and peers Smulyan didn’t have to go very far to move into New York City proper where he became part of the Mel Lewis Jazz Orchestra then under the direction of Bob Brookmeyer. Smulyan also found work with other important large ensembles including the Mingus Big Band and the Smithsonian Jazz Masterworks Orchestra.<br /> At this point in his career he has at least 10 recordings out under his own name. Meanwhile he continues to play with wide variety of artists – each presenting him with an opportunity to fully express himself. In addition to his work on Monday nights with the Vanguard Jazz Orchestra, Smulyan remains close with Lovano, working with him in his nine-piece Nonet; then there is the exhilarating and liberating Dave Holland Octet and the seminal bassist’s Big Band. Beyond that, Smulyan has also enjoyed stints in the cooperative Three Baritone Saxophone Band as well as working with powerhouse tenor saxophonist George Coleman in his octet and the Dizzy Gillespie All-Star Big Band that, similar to the Vanguard Jazz Orchestra, is comprised of some of the world’s best players.<br /> <br /> “Gary Smulyan’s lineage comes more from musicians like Cecil Payne, Leo Parker, Pepper Adams, Serge Chaloff and Nick Brignola – the few baritonists that dared to master the tricky, chromatic music known as bebop,” wrote All About Jazz’s Francis Lo Kee in a review. “Indeed…Smulyan is fluent in the language.” He was heavily influenced by Adams who was known as “The Knife” for his hearty tone and the energy of his rhythmic playing style. Smulyan’s Homage, featuring Tommy Flanagan was recorded following Adams’ death, and every track on the recording, released in 1994, is written by Adams.<br /> <br /> Similarly, Smulyan organized the Three Baritone Saxophone Band, which places him in the company of two of his seniors – Ronnie Cuber and the late Nick Brignola. The group released Plays Mulligan in 1998, the date serving as a tribute to the late Gerry Mulligan, one of the foremost baritone saxophonists in jazz history and a mentor for.<br /> <br /> These days Smulyan the Long-Island native lives in Amherst, Mass., with his wife, pianist and conductor Joan Cornachio. He is a faculty member of Amherst College and serves as the artistic director at the Berkshire Hills Music Academy in South Hadley, Massachusetts, a two year post secondary music school for eighteen to thirty year olds with developmental disabilities.<br /> The baritone saxophonist, is a four-time winner of the Down Beat Critic’s and Reader’s Poll’s and a multiple winner of numerous other official polls including the Jazz Journalists Award for Baritone Saxophonist of the Year. He is a six-time GRAMMY award winner for his work with B.B. King, Lovano, Holland and the Vanguard Jazz Orchestra.<br /> ~~~~~~~~~~~~~~~~~~~~~~~~~~<br /> Coming Days: Mike Woffard, Jerry Watts, Katia Moraes, Gregg Poree, Ralph Humphrey, Jennifer Leitham, Rosemary Butler, Brad Hatfield, Allan Walker, Andrea Wolper and Ken Filiano, Cathy Segal-Garcia, Les De Merle, Calabria Foti…and more!<br /> Vocalist/curator/educator/composer/producer Cathy Segal-Garcia hosts "Noontime Facebook Hangs"<br /> <br /> 7 days a week, featuring casual interviews with successful music professionals, mostly jazz.<br /> www.cathysegalgarcia.com<br /> for more info and Future guests<br /> Archives: https://www.dropbox.com/.../AABvHNUZMow6msoWvZeulOJoa...<br /> <br /> And if you feel like you'd like to help jazz musicians who are in dire financial need, please go to https://californiajazzfoundation.org/become-a-member-make-…/<br /> Thanks!

The Boss Baritones play "Straight Ahead" composed by JR Monterose. Recorded March 7, 2020 at Smalls Jazz Club, New York, NY.<br /> <br /> Frank Basile - baritone saxophone<br /> Gary Smulyan - baritone saxophone <br /> Ehud Asherie - piano<br /> Vince Dupont - bass<br /> Mark Taylor - drums

The Boss Baritones play "Hey Lock" composed by Eddie 'Lockjaw' Davis. Recorded March 6, 2020 at Smalls Jazz Club, New York, NY.<br /> <br /> Frank Basile - baritone saxophone<br /> Gary Smulyan - baritone saxophone <br /> Ehud Asherie - piano<br /> David Wong - bass<br /> Mark Taylor - drums

Kira Linn's Linntett - Round Midnight (Thelonious Monk)<br /> <br /> Kira Linn - Baritone Saxophone, Arrangement<br /> Christopher Kunz - Tenor Saxophone<br /> Nino Wenger - Alto Saxophone<br /> Lukas Großmann - Piano<br /> Lukas Keller - Double bass<br /> Johannes Koch - Drums<br /> <br /> Recorded 2021 @ Home<br /> Mixed by Lukas Großmann<br /> <br /> www.kiralinn.com<br /> Instagram: https://www.instagram.com/kira_linn/<br /> Facebook: https://www.facebook.com/kiralinnslinntett

My first performance of 2021. Grateful to Melton Mustafa Jr. and Willerm Delisfort for making this possible. I was a guest soloist along with Marquis Hill and Jesse Jones Jr. the Melton Mustafa Jazz Orchestra in Miami Florida 2/28/2021

I found this clip I recorded from T.V. a long time ago because I had a fascination with upright bass players and I knew there was an interview with the great Milt Hinton. It was a jazz series called "Jazz Apple" & this episode featured Joe Temperley talking about his life in jazz and the people & musicians he's met along the way that became friends.<br /> <br /> Please forgive the fact that it's only 20mins of what was probably a 1hr show, the rest must have got wiped at some point but I looked around and can't find this footage online so I figure I'd post it for posterity, it's not great quality but I hope folks can get pleasure from some of these legends.<br /> <br /> ...and Joe, I hope you don't mind me posting it, it's all about the music!<br /> <br /> Enjoy !!

Yamaha’s baritone saxophones have become modern classics and are used by leading professional players worldwide. Their strong clear sound and excellent playability have set new standards in professional model saxophones. Jim takes a look at the brand new YBS-480 and YBS-62II models.<br /> <br /> Jim is using a JodyJazz DV mouthpiece & D'Addario Select Jazz Reeds<br /> <br /> View the models on our website:<br /> <br /> Yamaha YBS-480 - https://bit.ly/2YpHBRP<br /> Yamaha YBS-62II - https://bit.ly/36qj3wC<br /> Yamaha YBS-82 - https://bit.ly/3t6s4V3<br /> <br /> Welcome to Sax.co - The World’s Leading Saxophone Specialist. A family-run business with over 25 years of experience. Our staff are players, teachers, technicians, and repairers so no one is better equipped to help you enjoy a great sax life.<br /> <br /> Saxophones - https://sax.co.uk/collections/saxophones<br /> Mouthpieces - https://sax.co.uk/collections/mouthpieces-by-size<br /> Ligatures - https://sax.co.uk/collections/saxophone-ligatures<br /> Reeds - https://sax.co.uk/collections/saxophone-reeds<br /> Wind Synths - https://sax.co.uk/collections/wind-synthesizers<br /> Gifts - https://sax.co.uk/collections/saxophone-gifts<br /> <br /> Episode guide:<br /> <br /> 0:00 - Jim plays the 480 & 62II<br /> 0:18 - Introduction<br /> 2:14 - The range explained<br /> 5:16 - The key differences<br /> 9:17 - The new features on the 62II vs the 480<br /> 13:56 - Sound comparison<br /> 14:20 - Conclusion

Showing off one of my prized musical possessions. A mouthpiece owned and played by the legendary Harry Carney. Baritone saxophonist for decades with Duke Ellington.<br /> <br /> #jazz #history #dukeelllington #barisax #harrycarney

Jazzmen - Detroit 　May 9, 1956

Welcome to a new edition of the Neon Jazz interview series with NYC Jazz Baritone Saxophonist Frank Basile .. We spoke with him back on April 19, 2020 during the early stages of the COVID-19 lockdown about how life had changed and what his life in music looked like. Since moving to New York in 2001, he has been fortunate to establish himself as one of today's most in-demand baritone saxophonists. Dubbed a "prized sideman" by The New Yorker, he has been called upon to perform with, record with, and tour the world with many of jazz's finest musicians and ensembles. So please get to know him and dig this interview.<br /> <br /> Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/

We've all had that one reed we've played for far too long...<br /> <br /> Listen to Product Specialist Andrew Hadro explain the importance of reed rotation and why you should be numbering your reeds. <br /> <br /> Signup for our Vandoren Newsletter for educational articles and product updates: https://bit.ly/2DL2MqG <br /> <br /> Follow the Vandoren Team in the USA: <br /> Facebook<br /> VandorenUSA: https://www.facebook.com/VandorenUSA <br /> VandorenMusiciansAdvisoryStudioNYC: https://www.facebook.com/VandorenMusiciansAdvisoryStudioNyc <br /> VandorenMusiciansAdvisoryStudioLA: https://www.facebook.com/VandorenMusiciansAdvisoryStudioLa<br /> MusiciansAdvisoryStudio (Chicago): https://www.facebook.com/musiciansadvisorystudio <br /> <br /> Instagram: <br /> VandorenUSA: https://www.instagram.com/vandorenusa/ <br /> VandorenStudioNYC: https://www.instagram.com/vandorenstudionyc/ <br /> VandorenStudioLA: https://www.instagram.com/vandorenstudiola/ <br /> VandorenStudioChicago: https://www.instagram.com/vandorenstudiochicago/ <br /> <br /> Twitter: <br /> VandorenUSA: https://twitter.com/VandorenUSA <br /> VandorenStudioNYC: https://twitter.com/VandorenNYC

My transcription of the beautiful solo by Ronnie Cuber on Easy Living.<br /> Album: "Love for Sale" - Ronnie Cuber & Netherlands Metropole Orchestra.

A nice one from one of my favorite albums, Blues in Mind, featuring Paul Desmond and Gerry Mulligan in a chordless quartet.<br /> <br /> <br /> www.jondelucia.com<br /> Bach Shapes on Amazon:<br /> https://amzn.to/2QSmtAc

Full solo of improv solo on the jazz standard, "I'll Remember April" Live at Silvana (Harlem, NYC) October 17th 2020. <br /> Andrew Hadro - Baritone sax<br /> Ricardo Grilli - Guitar<br /> Jesse Simpson - Drums<br /> <br /> #Sax #saxsolo #saxophone #jazzsax #barisax #baritonesax #saxophone #jazz

A classical saxophonist who loves to play the baritone saxophone wanted to connect with all his friends who also love to play the baritone, in the great music of Henry Mancini !<br /> <br /> Stay at home due to coronavirus, but it was so happy 2 months while I was recording, mixing, and making a video, because of this amazing arrangement and harmonisation by Jacob Collier !<br /> https://www.youtube.com/watch?v=VPLCk-FTVvw<br /> <br /> And also, if June Lee's work had not exist, I would not try this music.<br /> https://www.youtube.com/watch?v=KhyyjRcrn84<br /> <br /> I deeply appreciate to my teachers, my collegues, and my students. All your beautiful sounds realized this music. Someday, I hope to play ensemble with you in person !<br /> <br /> <br /> <br /> Baritone saxophones :<br /> Makoto Hondo 本堂誠<br /> <br /> Claude Delangle, Arno Bornkamp, Henk van Twillert, Gilles Tressos, Géraud Etrillard, Alexandre Souillart, Hiroé Yasui Souillart 安井寛絵, Joonatan Rautiola, Matthieu Delage, Martin Trillaud, Nicolas Arsenijevic, Yo Yo Su, Joakim Ciesla, Maxime Bazerque, Livia Felala, Antonio Sola Corpas, Adriana Oliveila, 大石将紀 Masanori Oishi, 平賀美樹 Miki Hiraga, 冨岡祐子 Yuko Tomioka, 尾家幸枝 Sachie Ooya, 坂口大介 Daisuke Sakaguchi, 小山弦太郎 Gentaro Koyama, 東涼太 Ryota Higashi, 井上ハルカ Haruka Inoue, 酒井希 Nozomi Sakai, 竹下真理子 Mariko Takeshita, 竹田歌穂 Kaho Takeda, 田中奏一朗 Soh-ichiro Tanaka, 西田沙希 Saki Nishida, 外﨑遥 Haruka Tonozaki, 蒙和也 Kazuya Mon, 西村魁 Kai Nishimura, 放生幹也 Mikiya Hojo, 浅野汐音 Shion Asano, 竹澤歩実 Ayumi Takezawa, 宇座麻理那 Marina Uza, 鹿島理功 Riku Kashima, 神山龍翔 Ryuto Kamiyama, 木下佳音 Kanon Kinoshita, 船木彩香 Ayaka Funaki, 山口紗弥季 Sayaki Yamaguchi, 兼田柊子 Toko Kaneta, 川田晶子 Akiko Kwada, 北岡舞帆 Maho Kitaoka, 久米愛海 Ami Kume, 重井拓人 Takuto Shigei, 大澤茉依 Mai Osawa, 齊藤渓太 Keita Saito, 鈴木ましろ Mashiro Suzuki, 中瀬凱大 Yoshihiro Nakase, 山崎遼介 Ryosuke Yamazaki<br /> <br /> And special thanks to Yuka who gave me this wonderful idea !

Visit https://jasonmarshalljazz.com for Jason's recordings and performance updates.<br /> <br /> <br /> BETTERSAX SHED - all my free lesson downloads https://bettersax.com/shed<br /> 7-Day Free Trial of BetterSax Studio https://bettersax.com/products/studio-free-trial/<br /> ♫ BETTERSAX COURSES ♪ https://bettersax.com/products<br /> <br /> ★ My Sax Gear Recommendations★<br /> The Better Sax Alto Saxophone - https://geni.us/BKIGTw<br /> BetterSax BURNIN' Mouthpiece https://geni.us/jH3yKz<br /> <br /> ★ Other Gear I Love ★<br /> Dual Swab Kit - https://bettersax.com/product/bettersax-ultimate-sax-swab-kit/<br /> ReedGeek Geeklet - https://bettersax.com/store/geeklet/<br /> Ultimate Reed Case - https://bettersax.com/product/bettersax-deluxe-wooden-reed-case/<br /> <br /> BetterSax Gear Recommendations on Sweetwater https://imp.i114863.net/bettersax<br /> <br /> ↪My Amazon Gear Recommendations Page: https://goo.gl/px3AvY<br /> <br /> DISCLAIMER: This video and description contains affiliate links, which means that if you click on one of the product links and then buy something, I may receive a small commission. As an Amazon Associate I earn from qualifying purchases.

“Just The Two Of Us" by the Quarantined Woodwind Ensemble<br /> Written by written by Bill Withers, William Salter and Ralph MacDonald, made famous by Grover Washington Jr. and Withers<br /> Arranged by Emily Pecoraro<br /> Video editing by Adam DeAscentis<br /> <br /> Here's a rendition of the classic Bill Withers/Grover Washington, Jr. hit “Just The Two Of Us" performed by 32 of NYC's top-call woodwind and percussion musicians from Broadway pit orchestras and the New York jazz scene. "Social Distancing" can provide a great opportunity to check out some new music: You can support the Arts community by buying albums of original music, subscribing to YouTube channels, or supporting the artists directly via social media. Thanks for listening!<br /> <br /> PERSONNEL:<br /> Piccolo - Janet Axelrod<br /> Flutes - Josh Jönsson, Dustyn Richardson, Phil Varricchio<br /> Alto Flute - Kristy Norter<br /> Oboe - Julie Pacheco<br /> English Horn - Matt Lepek<br /> Bassoon - Alden Banta<br /> Clarinets - Jon De Lucia, Emily Pecoraro<br /> Bass Clarinets - Harry Hassell, Jay Hassler<br /> Contralto - Yuma Uesaka<br /> Soprano Sax - Giuseppe Fusco<br /> Alto Saxes - Tyler Burchfield, Alden Hellmuth, Eddie Salkin<br /> Tenor Saxes - Greg Blair, Vito Chiavuzzo, Dan Willis<br /> Bari Saxes - Lauren Sevian, Jason Marshall<br /> Bass Sax - Andrew Hadro<br /> Drum Set - Sam Wagner<br /> Congas - Dave Roth<br /> Steel Pans - Doug Hinrichs<br /> Agogo Bells - Victor Pablo<br /> Triangle - Peter Manheim<br /> Tambo - Elena Conn<br /> Bongos - Jessie Linden<br /> Cowbell - Clemens Graßmann<br /> Claves - Andrew Klein

Provided to YouTube by The Orchard Enterprises<br /> <br /> The Cardiff Giant · Sam Dillon · Frank Basile<br /> <br /> The Cardiff Giant<br /> <br /> ℗ 2020 Cellar Live under exclusive license to La Reserve Records, LLC<br /> <br /> Released on: 2020-06-05<br /> <br /> Auto-generated by YouTube.

A quarantine style rendition of the my composition, "Cortelyou" from my last album.<br /> <br /> #BaritoneSax #BariSax #BassSax #BassSaxophone #Saxophone

Arranged for 5 baritone saxophone, 1 bass saxophone, and a trash can.<br /> #radiohead #baritonesax #basssax #saxophone #KidA

The Dowry Song from "TRANSYLVANIAN FOLK SONGS - The Béla Bartók Field Recordings" album by Lucian Ban | John Surman | Mat Maneri.<br /> <br /> Sunnyside Records, May 15, 2020<br /> <br /> More info & buy: https://lucianban.bandcamp.com/album/transylvanian-folk-songs-the-bela-bart-k-field-recordings<br /> <br /> "In 1904 Béla Bartók experienced an epiphany when he heard 18-year-old Lidi Dósa singing songs from her Transylvanian village. He was soon on the road and between 1908 and 1917 Bartók would go on to record & transcribe over 3,400 peasant folk songs, describing the completion of his research into Romanian folk music as “my life’s goal”.<br /> A century later, these three outstanding improvisers – Mat Maneri, Lucian Ban and John Surman – draw fresh inspiration from the music that fired Bartók’s imagination, looking again at the carols, lamentations, love songs, dowry songs and more which the composer collected, in the period between 1909-1917. . . . The Béla Bartók Field Recordings represent still to this day the biggest collection of Romanian folk songs from Transylvania"<br /> <br /> Photos by Béla Bartók, Transylvania 1917, courtesy of Budapest Bartók Archives<br /> <br /> © Sunnyside Records 2020. Liner notes by Steve Lake. <br /> <br /> Apple Music: https://music.apple.com/us/album/transylvanian-folk-songs-b%C3%A9la-bart%C3%B3k-field-recordings/1507605909<br /> <br /> Sunnyside Records: http://sunnysiderecords.com/pre_release_detail.php?releaseID=1020

Join Paul Nedzela, baritone saxophonist for the Jazz at Lincoln Center Orchestra with Wynton Marsalis, for a session exploring some of jazz's most important baritone saxophonists.<br /> <br /> Tune in live to the next Jazz Academy Master Class: https://jazzatlincolncenter.squarespace.com/weekly-online-program-schedule-covid-coronavirus<br /> <br /> To learn more about Jazz at Lincoln Center, visit us at http://www.jazz.org

Bass saxophone key percussion with baritone solo. Fun with reverb.<br /> <br /> #BassSax #BassSaxophone #BariSax #BaritoneSaxophone #Saxophone

The most important thing right now is patience and thats what this song is inspired by. This was recorded with the incredible IntraMic!!!

UNT One O'Clock Lab Band<br /> Directed by Alan Baylock<br /> Solos by 6 baritone saxophonists, guest artist plus 5 students representing the One through Five O’Clock Lab Bands<br /> Gary Smulyan, Andrew Duncan, Logan Ivancik, Courtney Wright, Joseph Trahan, Jack Lanhardt<br /> <br /> Recorded live November 26th, 2019<br /> Winspear Hall, College of Music<br /> University of North Texas<br /> https://jazz.unt.edu<br /> <br /> Saxophones: Gus Arnold (lead), Will Nathman, Pete Fucinaro, Daniel Henson, Andrew Duncan<br /> Trumpets: Chris Van Leeuwen (lead), Eric Diaz, Jonathan Shier, Caleb Pitman, Austin Ford<br /> Trombones: Andrew Munoz (lead), Connor Lofdahl, Thomas Laubhan, Elvis Moreno (bass), Ian Calhoun (bass)<br /> Rhythm: Joel White (guitar) Wes Dziedzic (piano) Michael Baylock (bass) Destin Wernicke (drumset)<br /> <br /> Audio by Blair Liikala<br /> Video by Austin Martinez

Lots of viewers have asked me how to swab out their baritone saxophone so I did it for the first time myself to find out. The crook of the baritone sax is not easy to swab out and I had to add a long piece of string to an alto sax swab in order to make this work.<br /> <br /> BETTERSAX SHED - all my free lesson downloads https://bettersax.com/shed<br /> 7-Day Free Trial of BetterSax Studio https://bettersax.com/products/studio-free-trial/<br /> ♫ BETTERSAX COURSES ♪ https://bettersax.com/products<br /> <br /> ★ My Sax Gear Recommendations★<br /> The Better Sax Alto Saxophone - https://geni.us/BKIGTw<br /> BetterSax BURNIN' Mouthpiece https://geni.us/jH3yKz<br /> <br /> ★ Other Gear I Love ★<br /> Dual Swab Kit - https://bettersax.com/product/bettersax-ultimate-sax-swab-kit/<br /> ReedGeek Geeklet - https://bettersax.com/store/geeklet/<br /> Ultimate Reed Case - https://bettersax.com/product/bettersax-deluxe-wooden-reed-case/<br /> <br /> BetterSax Gear Recommendations on Sweetwater https://imp.i114863.net/bettersax<br /> <br /> ↪My Amazon Gear Recommendations Page: https://goo.gl/px3AvY<br /> <br /> DISCLAIMER: This video and description contains affiliate links, which means that if you click on one of the product links and then buy something, I may receive a commission. As an Amazon Associate I earn from qualifying purchases.

Please email me at info@jeffsuzda.com with questions or if you would like a free PDF copy of my custom Baritone Saxophone fingering chart. (français aussi)<br /> <br /> Set up:<br /> SAXOPHONE: Selmer Mark VI Baritone (106,xxx)<br /> MOUTHPIECE: Otto Link 9*<br /> LIGATURE: Vintage Selmer Magnitone<br /> NECK: Wooden Paraschos <br /> REED: La Voz Medium Hard

Here is the Moanin Sheet Music for that epic Baritone saxophone intro on the legendary live version performed by the Charles Mingus Big Band! To ge the sheet music for the intro: https://www.musicnotes.com/l/KVVqZ<br /> Solo is by Ronnie Cuber and this is a updated and full version of an earlier post here on Youtube.<br /> <br /> Support us on Patreon:<br /> https://patreon.com/sharpeleventranscriptions<br /> <br /> Courses at:<br /> https://www.sharpelevenmusic.com/store<br /> <br /> <br /> Enjoy!

There's No Other Girl<br /> Joe Venuti's Rhythm Boys<br /> Parlophone R 1287 (151790-1)<br /> <br /> Jimmy Dorsey(cl,bs) Joe Venuti(vln) Lennie Hayton(p) Eddie Lang(g) Paul Graselli(d) Harold Arlen(vo)<br /> New York, September 10, 1931<br /> EQ: 250Hz/-8.5dB

After his gig at the beautiful seaside venue (Bach Dancing and Dynamite Society) south of San Francisco, Adams is interviewed by George Hughes of KJAZ Radio. (The interview was video taped by a television crew from San Francisco State University, apparently reusing old videotape, which was not fully erased). Two weeks prior, Adams left the Thad Jones/Mel Lewis Orchestra after an eleven-year run. Adams discusses his upcoming schedule in the Bay Area, his future gigs overseas, his time with Thad/Mel, being a parent, and the New York jazz scene. This is likely the only existing video footage of Pepper Adams speaking. More audio interviews of Pepper Adams can be found at https://www.pepperadams.com/Interviews/index.html<br /> <br /> Note: I have reposted this with improved audio here: https://www.youtube.com/watch?v=JKnPKO4eYoA

Multi-instrumentalist Howard Johnson shares anecdotes from his diverse career that included collaborations with Charles Mingus, Gil Evans, John Lennon, and the Saturday Night Live band.<br /> <br /> Use of these materials by other parties is subject to the fair use doctrine in United States copyright law (Title 17, Chapter 1, para. 107) which allows use for commentary, criticism, news reporting, research, teaching or scholarship without requiring permission from the rights holder. Any use that does not fall within fair use must be cleared with the rights holder. For assistance, please contact the Fillius Jazz Archive, Hamilton College, 198 College Hill Road, Clinton, NY 13323.<br /> <br /> Visit the Fillius Jazz Archive Website<br /> https://jazzarchive.hamilton.edu

CINCINNATI (WKRC) - Lauren Sevian is playing a big concert Feb. 21 with the Cincinnati Contemporary Jazz Orchestra. The concert is the Music of Mingus and Sevian plays in the Mingus Dynasty Big Band in New York. She and bassist Aaron Jacobs played on Good Morning Cincinnati.<br /> <br /> The concert starts at 7 p.m. at the Redmoor on Mount Lookout Square.

Harry Carney With Duke Ellington Orchestra<br /> <br /> <br /> <br /> <br /> <br /> Harry Carney, the first Jazz soloist in the Baritone Sax, is a Coleman Hawkins of the Saxophone, with the same vigor and intensity of ideas.<br /> <br /> Harry Howell Carney<br /> <br /> B. April 1, 1910, Boston, Massachusetts<br /> D. October 8, 1974, New York<br /> <br /> 1. Sophisticated lady<br /> 2. Chromatic Love Affair<br /> <br /> Cat Anderson, Cootie Williams, Herbie Jones, Money Johnson, <br /> Mercer Ellington (tp)<br /> Buster Cooper, Lawrence Brown, Chuck Connors (tb)<br /> Johnny Hodges (as), Russell Procope (as/cl) <br /> Paul Gonsalves (ts), Jimmy Hamilton (ts/cl)<br /> Harry Carney (bs/cl/b-cl)<br /> Duke Ellington (pn), John Lamb (b), Rufus Jones (dm)<br /> <br /> Rotterdam, 1967

Ronnie Cuber - bs, ss ロニー・クーバー<br /> Tom Harrell - tpt トム・ハレル<br /> Mickey Tucker - p ミッキー・タッカー<br /> Dennis Irwin - b デニス・アーウィン<br /> Eddie Gladden - d エディ・グラドン<br /> <br /> Recorded 1/31/1978<br /> Composed by Bobby Paunetto