Bruce Johnstone b.Sept 1st 1943 Wellington New Zealand.Bruce Johnstone’s first exposure to American audiences was as a member of Maynard Ferguson’s band in 1972. He recorded three albums with the Ferguson Band which, along with live concert appearances placed him in the #3 spot in Down Beat Magazine’s Readers Poll behind Gerry Mulligan and Pepper Adams. He held this position for the next ten years.
Leaving Ferguson in 1976, he moved to N.Y., signed with Arista’s new Freedom label and with co-leaders Rick Petrone and Joe Corsello formed the new Jazz Fusion band New York Mary. Both albums produced by this band met with great critical success. While in N.Y. Bruce also recorded with Anthony Braxton (Creative Orchestra Music 1976) with blues singer Luther Allison. (The horn section being Michael and Randy Brecker, Lew DelGatto and Bruce Johnstone.) In 1977 Bruce joined The Woody Herman Band and toured and recorded with the band until April 1978.
Since 1978, he has lived and worked in Western N.Y.(primarily Buffalo N.Y. and Erie PA) and maintains a busy concert/clinic schedule including appearances with The Dave Stevens Big Band, The Buffalo Brass, The Erie Philharmonic Pops, The Bemus Bay Pops, his own small groups and with The Don Menza Octet. He is currently Director of Jazz Studies at SUNY Fredonia.
Prior to coming to the States with Ferguson, Bruce had had solid musical careers in Copenhagen Denmark where he played with Ben Webster and Dexter Gordon. London England where he was a studio musician. Sydney Australia where he was a studio musician and Assistant Musical Director at a prominent Sydney Nightclub called Chequers, and Wellington New Zealand, where he was a member of the NZBC Radio Big Band while still in High School.
Bruce’s set up:
- Selmer MkVI Baritone (Low Bb)
- Aaron Drake Ceramic Hybrid with a .125 tip opening
- #3 1/2 Alexander Superial D.C. reeds
Man, it just doesn’t get better than this! Thanks, Bruce!
For his intense tone and funky rhythms, Bruce Johnston remains The Boss as far as I’m concerned. When I saw him live and listened him on Maynard’s recordings, it’s as if one man had the effect of a second drummer and additional lead horn all in one, driving hard from below and equally able ride on top. A pillar among saxophone players!
The Bad Man.
Man o man o man! The Boss Hoss of any sax section! I always raved over anything he did with Maynard, especially seeing them live in Dallas sometime after Live at Jimmy’s and before Chameleon was released. Maybe the tallest and skinniest guy to blow a bari, and how he did it back then is anybody’s guess. He kinda looked like a drug user that day, or maybe it just took sooooo much out of him to play that big horn. Thanks to you folks who keep this site alive. Gives me the idea to start jazzbassclainet.com. And y’all can come read about Bruce over there as well, someday.
Bruce, Pete, Andy, Lin, Rick,and the rest of that band made up a very special time in Jazz Jistory. Stan Kenton made Mayne a star and than like so many others, He helped make Bruce a star as well. Listen to utubes, Maynard In Concert, tells it all and makes Bruce shine like nothing after. Go Bruce keep new age Big Band alive.
I saw Bruce when he was with Maynard and he doubled on flute. Best jazz flutist I’ve heard—Holly Huffman in is closing in on Bruce though.
Bruce
Thank you for your years of creativity and fire in your solos! Being a serious Jazz Trumpeter (forgive me) growing up in the 70’s, the MF Horn albums took precedence over most all other albums. That is when I absolutely began a life-long love affair with your figurative “Walk” through MacArthur Park On Maynard’s MF Horn 4 & 5 “Live at Jimmy’s” album. While it takes some patience to get through the “marathon of melody” presented over and over… that wait was the perfect context to make your solo such an amazing experience! I can’t even listen to Maynard’s other versions of MacArthur Park – because your solo is missing!
My best wishes and gratitude to a master – Many Thanks to you Bruce!
Roger
I just had the most amazing experience of my music career the other day. Bruce visited our Music4veterans rehearsal and I actually compt him on keys. What a great musician and an even better person. Thank you so much for taking time to jam with us and share some of your vast knowledge of jazz with us.
35+ years later and that Bari solo is still unbelievable, funky, technical, cool and simply amazing not just from a listener perspective, but from a fellow professional sax player perspective. It never gets old. Simply A grade. Probably the best BAri solo I ever heard.
Love Bruce!! No one plays like he can. The Boss for sure!
This is the man that motivate me to play bari professionally for 20 years. I can’t ever get enough of his playing.