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Larry Dickson releases fourth and final album in series

I have covered Larry Dickson’s first, second, and third, installments in his 4 album project that mirrors the seasons. Today I am happy to say I’ve had a chance to enjoy the latest one from his quartet titled, “Winter Horizons”.

Similar to all of the other albums this album is very well done. The playing on the album is great, but what always stands out to me is Larry’s choice of songs and arrangements. There is an especially nice arrangement on Well, You Needn’t. On this disc there is a balanced and enjoyable mix of originals, standards, Thelonious Monk songs, and even a less-known but very enjoyable Billy Taylor original. 

The format is again a  chordless quartet. Being familiar with the baritone saxophone one might immediately think of the Mulligan/Chet Baker quartet. But this album uses alto saxophone instead of trumpet. This instrumentation might lead you to remember the “Two of a Mind” album that Mulligan did with Paul Desmond, but that’s not really the feeling here either. Rick Van Matre has a more modern slightly edged alto sax sound that contrasts nicely with Larry’s more mellow rich sound.

Bravo to Larry Dickson for another tasteful and enjoyable album.
For those looking to get a copy please contact Larry directly.

Larry Dickson produces another excellent album

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Cincinnati based baritone saxophonist, Larry Dickson sent us another album, . Much like the first one, this album has an excellent mix of songs. About half originals and a mix of standards, lesser known composers, and a Strayhorn-Ellington piece. The arrangements are very swinging and tasteful, the band’s playing and the recording quality is quite professional. I especially enjoyed Larry’s originals compositions. They have the feeling of classic swinging tunes, but are completely new to the ear.

Trombonist, Bill Gemmer has a number of really great solo moments as well, with an excellent mix of beautiful tone and plenty of agility on the trombone. Larry’s playing at times reminds me very favorably of Ronnie Cuber, especially on Weep. Mulligan fans will recognize this tune as one of the more memorable from the Gerry Mulligan Concert Jazz Band. And other times I am reminded of Gary Smulyan’s deep edged tone, but really what we’re hearing is Larry’s sound that has been honed through years of dedication to the baritone saxophone in a jazz setting. And for that we are grateful. If you get a chance, I’d recommend getting a copy of “Summergold Promises” for yourself and any fan of the jazz baritone sax.

New CD from Larry Dickson

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A reader and fellow baritone saxophonist, Larry Dickson, recently sent us a copy of his new album, “Second Springtime”. Larry seems to have a vast knowledge of the baritone saxophone and its various practitioners and it shows through the varied song selection on the album. There is everything from original music, to a Pepper Adams composition, some Ellington, and even a beautiful ballad that you may have heard Mulligan and co perform on the album “What Is There to Say?”.

Definitely worth a listen from all fans of the baritone saxophone. Its available on Larry’s CD Baby page.

Virtual Round Table on Pepper Adams

Do you want to watch 14 respected baritonists talk about and tell stories about Pepper Adams? Of course you do! Fortunately for all of us Gary Carner has put together such a thing. Gary is the author of the recent Pepper Adams biography Reflectory. Have a watch of the video below, and enjoy!

The musicians featured in the roundtable discussion were: Kenny Berger, Larry Dickson, Gary Smulyan, Glenn Wilson, Frank Griffith, Peter Leitch, John Vana, Andre White, Frank Basile, Shirantha Beddage, Aaron Lington, Jason Marshall, Adam Schroeder, Anders Svanoe.